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- TOON BOOM HARMONY RIGGING HOW TO
- TOON BOOM HARMONY RIGGING PROFESSIONAL
- TOON BOOM HARMONY RIGGING SERIES
- TOON BOOM HARMONY RIGGING TV
Tony Ross has more than a decade of professional freelance and teaching experience as a former professor of electronic arts at the Atlanta College of Art. I completed over 30% of the production’s total rigs.Watch Tony work with his team of character designers, voice talent, and animators and you’ll learn to draw in Toon Boom Harmony as well as parent/child rigging, breaking your character into layers, the bone deformer, the curve deformer, lip-syncing, animating the camera, and more! Accessible and cost-effective, it’s a one-stop shop for professors and students, animation studios and advertisers to learn from the best in the business. While working for Cheeky Little, I flew from Melbourne to Sydney, to give their Animation and Production teams a short rigging lesson, covering the basics of using and animating with rigs.Īfter the Rigging team was secured, I continued with the completion of their rigs, creating complex and simple rigs quickly, while ensuring they were capable of all movement displayed in the supplied animatics. I oversaw and gave notes to freelance studios and Riggers Cheeky Little hired.
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I helped Cheeky Little with hiring their Rigging team, by ensuring candidates work was up to standard.
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I built them a custom rig template, to retain consistency throughout production. I assisted the Animation Directoron the needs of a Toon Boom animated show. I helped Cheeky Little’s get their Rigging off the ground, on their first 2D rigged show.
TOON BOOM HARMONY RIGGING SERIES
I worked on Cheeky Little’s television series Spongo Fuzz and Jalapena for ABC/Disney Channel Australia/Foxtel. Toon Boom Rigger (Remote) | Spongo, Fuzz & Jalapena I also assisted the Design Supervisors with completing designs for rigged characters, and gave Harmony assistance to the Design team when they created Harmony props.Īnother part of my job was to assist the Animation Director and his Animation team in troubleshooting complex Toon Boom issues, making sure they could animate unhindered. On top of this, I also rigged the more complex characters myself, and designed and drew character assets as needed. And I individually checked over every rig before it was delivered to Scene Planning. I made sure that notes from the Director were carried out.
TOON BOOM HARMONY RIGGING HOW TO
I instructed my team how to approach their rigs, guided them as they completed them, troubleshot issues with them and made certain the characters remained on model and on style. I trained staff who had never rigged before. In this role, I lead a team of riggers in creating over 400 character rigs that were easy to animate with, while allowing for a large range of articulation and movement, letting animators work quickly while creating quality, intricate animation. I was the Rigging Supervisor for 12Field Animation’s 11 minute x 26 episode television series called The Strange Chores. Toon Boom Harmony Rigging Supervisor | The Strange Chores I also designed mouth, eye and feet drawing substitutions for the rigs. I was assigned several of their more complex characters to rig, for which I completed the rigs according to the predetermined layout. I fixed already completed rigs, by optimizing them, reducing their limitations and making them easier for the animators to work with. While working for Pixel Zoo, I completed rigs for the Moose Toys web series called Goo Jit Zu. I am leading Kapow’s Rigging team, creating character rigs for an unannounced project.
TOON BOOM HARMONY RIGGING TV
Toon Boom Harmony Rigging Supervisor (Remote) | Unannounced Adult TV Comedy In this position, I'm leading my rigging team in creating Toon Boom Harmony character rigs. I am leading the Rigging department for the second installment of The Strange Chores.
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Toon Boom Harmony Rigging Supervisor | The Strange Chores Season 2 Resume 2020-Current 12Field Animation | Melbourne